Last week
United Colours of Benetton unveiled its latest brand ambassadors and
advertising campaigns in which they featured. For the first time they united their
product campaigns with their social awareness campaigns, and the result fails
on both counts.
Benetton has
built its reputation on powerful campaigns which promote social issues and
equality awareness. From Pope Benedict XVI kissing a senior Egyptian Iman, to promoting HIV awareness, to publicising poverty and inequality, to
attempting to encourage cross-cultural understanding and conversation and in their
tireless fighting against racial discrimination; the company has built a reputation
for social campaigning centred around its provocative and powerful advertising
campaigns. Although at times landing the company in hot water, the campaigns
have allowed the brand to forge its reputation as social aware with a keen
social conscious, allowing consumers no choice but to recognise the company’s
ethical ethos. In not being scared to promote diversity or tackle taboo
subjects and issues, the company has frequently angered campaigners and other
groups – and at times has had to withdraw its images. But the consistency of
the company at producing powerful, iconic images which promote these issues
without demeaning them is why they are so renowned and respected for their advertising.
Alongside
these campaigns they have also run product campaigns, promoting their seasonal
product range and the diversity of their selection and consumers. Inoffensive
and simple these campaigns promote the products without shoving the company’s
social campaigning down consumer’s throats. Much more akin to the advertising
of a rival company such as Uniqlo, they are less associated with the brand, and
accordingly somewhat less iconic. However their continued use of a racial,
ethical and gender mix in these campaigns still enforces the brands
anti-discrimination ethos.
Now the
company has combined the two. The latest campaign sees disabled model Mario
Galla and transsexual model Lea T promoting products in the same advertisements
which are being used to help overcome prejudice and promote social awareness. However
the campaign fails to capitalise on the taboo issues their models raise,
instead presenting them as standard product models who could be promoting any
fashion label. The company claims they are returning the focus to the power of
colour, and the images of their ambassadors certainly emphasise the vibrant
colours of the products. However in downplaying the features which led Benetton
to select the ambassadors the uniqueness, power and message of the campaign is
lost. Rather than promoting the ways these individuals have overcome adversity
to campaign for equality they present them like any other model – bland and
without a story.
For a company
with such a rich history of creative, emotive, advertising which tells the
story of social inequalities, the latest campaign fails to add to the brands
identity. The company continues to support the Unhate Foundation, but since the
campaign fails to communicate how its models are overcoming prejudice, it lacks
the tenacity and fearlessness associate with the brand, diminishing it to
nothing more than another seasonal campaign from another clothing brand.
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